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Daisy Edgar-Jones wore a cream-and-purple corset and skirt from Stella McCartney’s Spring 1999 Chloé collection to the Los Angeles premiere of Sense and Sensibility. Stylist Dani Michelle said the vintage look was central to a mood board for the actor’s press-tour wardrobe and was sourced by Raffe Vintage.
Daisy Edgar-Jones wore a vintage Chloé corset and skirt from Stella McCartney’s Spring 1999 collection to the Los Angeles premiere of Sense and Sensibility, bringing a period-inspired fashion theme to the reported final red carpet of the film’s press tour. Stylist Dani Michelle said the look had been part of her mood board for interpreting Edgar-Jones’s character, Elinor Dashwood, through contemporary fashion.
The ensemble paired a cream corset with floral detailing and a sweetheart neckline with a two-tone skirt in muted purple. A semi-sheer shawl was draped over Edgar-Jones’s shoulders, and matching open-toe heels completed the look, according to Harper’s Bazaar’s report. The soft lavender tones referenced the wardrobe associated with Elinor in the film, the publication said.
Michelle described the vintage set as a central reference in the styling concept. In a post on Instagram, she wrote that she had seen the movie earlier in the year and made a mood board for telling Edgar-Jones’s character’s story through fashion. Michelle said the 1999 Chloé look was “center of our mood board” and credited the vintage shop Raffe Vintage with sourcing it.
The premiere appearance followed a press-tour wardrobe built around historical references, including corsetry and empire-waist silhouettes, while using contemporary red-carpet styling. Harper’s Bazaar characterized the Los Angeles outfit as the final period-inspired look of the tour. The source does not provide a date for the event or additional details about how the vintage garment was obtained beyond Michelle’s account.
A Vintage Look Tied to Elinor
The outfit connects the film’s character styling with an archival fashion reference rather than presenting the red-carpet look as a standalone trend. Michelle’s explanation links the muted purple skirt to Elinor’s on-screen palette, while the corset and shawl echo historical dress codes associated with the story’s period. That makes the clothing part of how the film and its lead actor’s promotional appearances have been presented to audiences.
The choice also puts a specific piece of fashion history into current view: a look from Chloé’s Spring 1999 collection, designed during McCartney’s tenure at the house. The report does not establish that the outfit signals a broader revival or a shift in fashion trends. Its immediate relevance is more specific: it illustrates how vintage pieces can serve a film’s visual storytelling and a stylist’s concept for a press tour.
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The Press Tour’s Period References
Edgar-Jones stars as Elinor Dashwood in the Sense and Sensibility project referenced by Harper’s Bazaar. The report says the actor and Michelle used fashion inspired by the story’s historical setting across the film’s press appearances, drawing on elements such as delicate corsetry, romantic undergarments and empire waists. The aim, as described in the article, was to translate those references into modern red-carpet clothing.
For the Los Angeles premiere, the styling also drew on Elinor’s soft lavender wardrobe in the film. Michelle said Edgar-Jones had expressed a wish to wear lavender in tribute to the character’s costumes. The vintage Chloé set brought that color reference together with a cream bodice and a silhouette that the report describes as romantic and period-inspired. Beyond this premiere look and Michelle’s comments, the supplied report offers no broader account of the film’s costume design or the collection’s original runway presentation.
““This 1999 Chloé by Stella McCartney was center of our mood board.””
— Dani Michelle, stylist, in an Instagram post quoted by Harper’s Bazaar
1999 Stella McCartney Chloé collection skirt
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Details Beyond the Premiere Look
The report does not give the date of the Los Angeles premiere, identify the exact runway look number, or say whether the outfit was altered for Edgar-Jones. It also does not provide details about the garment’s provenance or availability beyond Michelle’s statement that Raffe Vintage sourced it. The reported description of this as the press tour’s final period-inspired appearance is based on Harper’s Bazaar’s account; no separate confirmation from the actor, film’s representatives or event organizers is included in the supplied material.
Michelle’s comments establish the intended styling references, but they do not confirm that every element was chosen by Edgar-Jones or designed to reproduce a particular costume. No further appearances, wardrobe plans or response from McCartney or Chloé are reported.
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No Further Tour Looks Reported
Harper’s Bazaar described the Los Angeles event as the final red-carpet appearance in this press-tour sequence, so the supplied report does not point to another premiere look. Any further information about the vintage set’s sourcing, archival details or the film’s costume choices would require additional reporting or comment from the stylist, vintage dealer, actor or production team. For now, the confirmed development is the premiere appearance and Michelle’s explanation of the outfit’s role in the styling concept.
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Key Questions
What did Daisy Edgar-Jones wear to the Los Angeles premiere?
She wore a cream floral corset and a two-tone purple skirt from Chloé’s Spring 1999 collection, attributed to Stella McCartney’s time at the fashion house. The look included a semi-sheer shawl and matching open-toe heels, according to Harper’s Bazaar.
Why was the outfit chosen?
Stylist Dani Michelle said the vintage set was central to her mood board for translating Edgar-Jones’s character, Elinor Dashwood, into contemporary fashion. Michelle also said Edgar-Jones wanted to wear lavender in tribute to Elinor’s costumes.
Who sourced the vintage Chloé look?
Michelle credited Raffe Vintage with finding the outfit, according to the Instagram comments quoted by Harper’s Bazaar.
Was this the final look of the Sense and Sensibility press tour?
Harper’s Bazaar described it as Edgar-Jones’s final period-inspired red-carpet look of the press tour. The supplied report does not include separate confirmation from the actor or the film’s representatives.
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