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Don’t Let Disco has introduced The Opening, its second fine jewelry collection, designed by founder Ashley Moubayed. The pieces combine crystals, semiprecious stones and found objects with references to Art Deco and midcentury design; prices and a full release schedule are not provided in the source report.
Jewelry label Don’t Let Disco has introduced The Opening, its second fine jewelry collection, with designer and founder Ashley Moubayed combining crystals, semiprecious stones and found objects in pieces shaped by vintage design. The collection expands the brand’s fine jewelry offering with necklaces, pendants and other mixed-material designs, though the source report does not give prices or a full release schedule.
The collection draws on the idea of “practical magic”, using materials that Moubayed associates with history, texture and the natural world. Harper’s BAZAAR reports that the designs include stones and objects assembled into layered jewelry, along with what the article describes as the shimmer of desert diamonds. The report does not specify the stones’ sourcing or provide a full product list.
Among the designs discussed in the report are Universe pendants, made with colorful semiprecious stone discs framed in silver wire and worn on sterling-silver “Keeper collars.” Another example is a long, bead-based necklace accented with a wooden pompon tassel and smoky stones, a combination Moubayed describes as a sautoir. Her Totem chain necklace, shown during the interview, is built with charms including pearls and an antique cigarette canister.
The article places the collection alongside the brand’s earlier work. Don’t Let Disco’s first fine jewelry collection, released the previous spring, centered on translucent quartz orbs known in jewelry as “pools of light.” For those pieces, Moubayed used 19th-century wire-wrapping techniques, according to Harper’s BAZAAR. The Opening develops that approach through a broader mix of materials and forms rather than relying on a single stone type.
A More Layered Fine Jewelry Offer
The collection gives shoppers a clearer view of Don’t Let Disco’s fine jewelry direction: pieces are intended to combine and accumulate, rather than function only as isolated accessories. Moubayed told Harper’s BAZAAR, “Everything we do is meant to be built upon.” That idea appears in necklaces with movable charms and designs that can be paired with other elements.
For buyers, the material mix may also make the collection distinct from conventional fine jewelry built around precious metals and diamonds alone. Here, organic stones, silver and found objects share space. The source report does not state whether pieces are one-of-a-kind, made in limited quantities or available across a broad price range, so shoppers will need product listings for those practical details.
The designs also connect fine jewelry to the current fashion mood described in the article, which notes mystical references in other fashion-month collections. That is the publication’s framing, not a claim that the jewelry represents a broader industry shift. The specific development is the brand’s second fine jewelry release and its continued use of personal, historical and material references.
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From Pools of Light to The Opening
Moubayed founded Don’t Let Disco about five years before the interview, after working at Sotheby’s for five years in marketing strategy focused on antiques. She told Harper’s BAZAAR that her experience with historic objects and design informed her interest in proportion, material and considered construction. The article identifies Art Deco geometry and midcentury design as influences on the new pieces.
Her interest in stones began in childhood, she said, when she collected rocks and learned about geological formations through a book from the Cleveland Children’s Museum. She also described a family history of collecting and repurposing objects, including her grandmother’s collection of buttons, which she used to make mosaics. Moubayed has said that, as a teenager, she took apart thrift-store jewelry and rearranged it into new pieces.
The source is a fashion and design profile published by Harper’s BAZAAR, not a company pricing or availability notice. It includes the magazine’s disclosure that editors selected products on the page and that it may earn commissions from purchases. That commercial relationship is relevant to readers using the article as a shopping guide.
““Everything we do is meant to be built upon.””
— Ashley Moubayed, speaking to Harper’s BAZAAR
Prices and Availability Remain Unspecified
The Harper’s BAZAAR report does not give prices, a complete inventory or a specific launch date for The Opening. It also does not clarify whether all pieces are currently available, whether the collection will be produced in limited runs, or how many designs it contains.
Material descriptions are selective rather than a full sourcing statement. The article mentions semiprecious stones, silver and found objects, but does not provide details about stone origins, supplier standards or the exact composition of every item. Those questions cannot be resolved from the report alone.
Product Listings Will Clarify Buying Details
Readers interested in buying the collection will need to check Don’t Let Disco’s product listings or contact the brand for current stock, prices, materials and shipping details. The source report does not identify a further announcement, event or scheduled release milestone.
More information from the brand could clarify which designs are part of The Opening, whether the pieces are sold individually or intended to be layered, and how the mixed materials are sourced. Until then, the confirmed development is the collection’s introduction and the design approach described by Moubayed to Harper’s BAZAAR.
Key Questions
What is The Opening?
The Opening is Don’t Let Disco’s second fine jewelry collection, designed by founder Ashley Moubayed. It combines stones, silver and found objects.
What kinds of pieces are featured?
The report discusses Universe pendants made with semiprecious stone discs, sterling-silver Keeper collars, charm necklaces and a long bead necklace accented with a wooden tassel.
How does it relate to Don’t Let Disco’s first fine jewelry collection?
The first collection, released the previous spring, focused on translucent quartz “pools of light” and 19th-century wire-wrapping techniques. The Opening continues the use of stones while adding a wider mix of materials and forms, according to Harper’s BAZAAR.
How much does The Opening cost, and when is it available?
The source report does not provide prices or a specific release date. Check the brand’s current product listings for availability and buying details.
Source: harpersbazaar.com
